I've been obsessed with this week's song of the week since I heard it recently. Watch the Waves is the first off the sophomore effort by Swedish singer Victoria Bergsman, AKA—Taken by Trees. Bergsman is probably best known for her work in the band the Concretes and the one who's not Peter Bjorn or John singing on that ever-present song from a few years back, Young Folks (remember how good?). Anyway, Bergsman took her sound in a completely new direction with this record, picking up a heading to Pakistan to record with traditional musicians native to the rural areas there and creating a total east-west smash-up. About half the record was made outside because, as Bergsman puts it, "when you take the music into a studio, the creativity and the playfulness in the music often gets lost." Check out the National Geographic video below. Very interesting piece with Bergsman talking about how she made the album and just the relative culture shock of being in Pakistan. Monday, August 31, 2009
Music Monday
I've been obsessed with this week's song of the week since I heard it recently. Watch the Waves is the first off the sophomore effort by Swedish singer Victoria Bergsman, AKA—Taken by Trees. Bergsman is probably best known for her work in the band the Concretes and the one who's not Peter Bjorn or John singing on that ever-present song from a few years back, Young Folks (remember how good?). Anyway, Bergsman took her sound in a completely new direction with this record, picking up a heading to Pakistan to record with traditional musicians native to the rural areas there and creating a total east-west smash-up. About half the record was made outside because, as Bergsman puts it, "when you take the music into a studio, the creativity and the playfulness in the music often gets lost." Check out the National Geographic video below. Very interesting piece with Bergsman talking about how she made the album and just the relative culture shock of being in Pakistan. Monday, August 24, 2009
Music Monday
I know we usually focus on bringing you the lesser-known artists on Music Mondays, but, anyone who knows me also likely knows that I'm a damn sucker for some straight up, saccharine-sweet pop. Which brings us to this week's song of the week by the omni-present John Legend. I'm not a huge fan of this man's songs on their own, but there's no denying he's got a sweet-ass voice. Combine that with an excellent musical reinterpretation by remix-masters RAC and you've got a top-notch pop song with infectious hooks and catchy beats. So I'll say it without shame: I totally love this John Legend song. No doubt.
Wednesday, August 19, 2009
From the Nest
An Open Letter to Mighty-o Donuts
Dear Mr. and/or Ms. Mighty-o:
Last summer, while visiting a good friend of ours in Seattle, my wife and I happened, by chance, upon your donuts in a local grocery store. We’re both vegans for ethical reasons, so, needless to say, when we realized that your donuts were made sans any animal-derived ingredients, we loaded up. Now, being vegan is tough, man. Maybe you know this already, but we miss out on a lot of good stuff. Cheese is the most likely candidate for vegan kryptonite, but, right below that on the list, for me at least, are nice, cakey, awesome donuts. Don’t get me wrong. I live in New York City, arguably one of the best places for a discerning vegan to live. So I’m already spoiled. I have easy access to a bevy of superb vegetarian restaurants, can walk to cafes that sell the always superb cakes from Vegan Treats, and basically have little to no call for complaint…except in this case. I was fine before I ate your warm, soft, sweet donuts—living in blissful ignorance of the wonders that could be contained in those decadent rings of joy, placed there by whatever black magic you conjure in your kitchens. But after that fateful meeting between me and your donuts last summer, I slipped into a state of hysteria. They could barely get me on the plane back to New York. And, once back, I slept sparsely, in fitful starts and stops, plagued by odd dreams of mocking transcontinental Dali-esque donuts. It was a long, tortuous road to recovery, but, with the help of my wife, I put my life back together and was once again a whole man.
Then, the other day, I received an unexpected call. Our friend from Seattle, Patrick, had placed in the care of his visiting cousin from New York one dozen Mighty-o Donuts to be delivered to and consumed by me. It was all too much. How could I once again introduce to my poor mouth something so very treasured and yet so very irreplaceable? But there was no way I could deny the allure of your fine products, gems of the baking world and, once again, my Achilles heel. As I write this, I have just finished consuming the fifth donut—a lovely lemon poppyseed—leaving me with a mere seven. I plead with you: You must open an east coast Mighty-o Donuts in New York before I finish that last donut…preferably in or near Park Slope, Brooklyn. My life depends on it.
Sincerely,
Troy Farmer
Brooklyn, NY
Tuesday, August 18, 2009
The Find
Picture it: You're up on a stage in front of a crowd of people when one of them shouts out a word at you and you're expected to create an entire musical on the spot. And make it funny. Sound like a terrible nightmare to you? Yeah, it does to me too. But that's what the musical-improv-comedy duo of Eliza Skinner and Glennis McMurray—AKA, I Eat Pandas—do every time they have a performance. And, somehow, they make it look easy. More importantly, they make it INSANELY funny. We caught up with Eliza Skinner (dark hair, no mustache) to find out where the funny comes from in anticipation of this Wednesday's show at the Upright Citizen's Brigade.
KoR: Okay, so, we'll start at the obvious place: What's with the name? Are either of you actual pandavores? That seems....entirely terrible. And not very smart, really, given the economy and lack of convenience.
ES: Ha, no we are not Pandavores, although I like the term! We had to come up with a name for this little improv competition we were in, and we had no plans to take the group any further, so when I said "what about 'I Eat Pandas'?" Glennis and Travis Ploeger (our original musician and 3rd member) said "Why not!" Five years later...maybe we should have thought about it more. Nah.
Were any other names in the running?
Not that I remember. It was just that simple.
Efficient comedy. Excellent. We totally like your logo, by the way. That panda looks PSYCHED to be eaten. Like the pigs on all those BBQ joint signs in the south that are like "I'm gonna eat my friend! Yeehaw!"
You think he looks psyched? I think he looks a little worried, but resigned. Either way, we love it too. It was done by our friend David William.
Oh wait! You might be referring to our old logo, which DID look super psyched to have a fork sticking out of it's head. That one is by Dyna Moe, now of "Madmen Yourself" fame.
Oh, yeah. Totally thinking of that one. So, how did you and Glennis meet? Was it some sort of awesome movie-like scene, where you lock eyes across a crowded improv class, end up getting dinner, she gets all upset and calls the relationship off when you profess a love for Carrot Top, and then you end up holding a boombox playing Bill Cosby's "Himself" under her window?
Yes. Exactly. Did I tell you that story already?
No, I was coaching an improv group that Glennis was in and she just seemed to have a sensibility I could relate to - and was clearly very talented. I thought it would be fun to play with her, so when Travis suggested we put together a group for this 3-person improv competition, I suggested her.
I like my version better. You should go with that. So, I know you regularly collaborate with a piano player, who seems great, but have you all ever considered expanding the group beyond a duo, or do you think that’s part of the appeal for audiences and you two as contributors?
We are very protective of what we do, and so much of it comes out of the relationship between the two of us. Our work is really this thing - this ball of energy that comes out of the focus between the two of us. I think... I don't know, man, basically it's magic and you don't wanna fuck with magic. Plus we have other groups where we work with more people - if I want to do a show with a bunch of people, I do one with Baby Wants Candy.
And yeah, Frank Spitznagel, who usually plays piano for us, is a genius and a big part of what I Eat Pandas is too, but he is so in demand that we have to work with other people occasionally. Usually those people are Ari Scott or Jody Shelton, both amazing singer-songwriters in their own right. We have been very lucky to work with the musicians we have worked with.
Alright, now, honestly, how the hell do you practice for an I Eat Pandas show? Given your shows' premise—that the audience gives you a phrase or subject matter, and then you stage three completely improvised acts of a musical—it seems entirely impossible to prepare yourself. Do you have some sort of time-stopping device that allows for seemingly instant song-writing? Cyborg mind link with Glennis?
Cyborg mind link, yeah. That's that magic-ball thingy. We spend a lot of time together and we talk a lot, so we know each other really well. We also just like each other, so we like to surprise each other on stage and make each other laugh. The songwriting takes a little more skill, and a lifetime of being steeped in musical theater. Mostly we just pretend like we know what we're doing - if you do that hard enough, people believe you.
We do enough shows now that we don't really practice, but when we did it was more like training for a sport - you run drills and sharpen your skills so when you're on the court you know what to do.
I'm totally picturing a Rocky-style montage of you and Glennis running comedy drills now. So, anyone who’s attended one of your performances knows you’ve got an amazing voice. Do you ever use it for non-comedy purposes? You know, not including superb college bands…
My singing voice? Nope. Comedy only. I Eat Pandas, Baby Wants Candy, weird fringe musicals, and parody songs for College Humor and E! I'd be totally down to do some dramatic musical theater, but no one wants to hear it!
Both Glennis and I do voice over work, though, so that might sort of count.
That sort of counts. What is Pop Tudors? I’m not really too familiar with the actual show, Tudors, but, just judging from the subway posters, it looks all the way rad.
Pop Tudors was a series of promos/recaps that we did for Showtime for the last season of The Tudors. We watched the whole season before it aired (which wasn't really full of spoilers, since it's actual history), wrote up some jokes and shot all 10 episodes in a day. They put them on TV and all around the Internet.
The Tudors is pretty rad - it's history, but porn-ier. Oh, and lots of disease and blood-letting! Good stuff.
Can you talk a little about how you originally got involved with Upright Citizens Brigade? You introduced us to them when we moved to New York and they really seem to have a hand in nearly everything funny in the city.
My first contact with the UCB was in a show called "Made Up Musical" - which was another improvised musical - way back in 2001. The guy who was putting the show together, John O'Donnell, had seen me perform short-form improv at a craphole called "Chicago City Limits" and asked me to do the show. It went well, and I was asked to be in KILLGORE!! - the theater's annual Halloween show, with people like Horatio Sanz, Rob Riggle, and Jack McBrayer. It was pretty great. That will make you want to stick around a theater for 7 or 8 years.
I bet. Those dudes are funny. So, I know you both split time professionally between NYC and LA, which seems to be the way of things for people in the comedy game. I feel like most people get their start in NYC or Chicago making a name for themselves with the goal of eventually getting into TV or the movies on the West Coast. Is that a totally skewed generalization?
Nope - you got it. NYC and Chicago are so competitive you either give up or get crushed into a talent diamond. LA is too easy - if you go there first without a lot of direction and self-knowledge, you can get lost.
What do you like about LA?
Work. That is where the work is. There used to be more of it in New York, but it's all slowly migrated over the past few years. Now we just have Law & Order, 30 Rock, SNL and Fallon.... Thank god for NBC and Comedy Central, or else there would be nothing here but Ugly Betty.
Oh, and there are beaches & great fish tacos. And I like that people actually listen to the radio there. I love the radio.
Say something you hate about LA, for all of those New-York-or-nothing types.
Traffic & skanks. The traffic there can make you want to pull your eyes out of your head, and like 80% of the women look like total Rock Of Love skanks.
High five. So, you’ve been in Astoria, Queens for, like, nine years now. First off, way to be neighborhood-loyal. For those of us who don’t spend a ton of time there, what do you like about it?
It is cheap and the apartments are bigger. Like people from other cities can come to my apartment and not be shocked at it's size. Plus there are tons of great restaurants, and I have lots of friends nearby. It's so easy to live here. It might not be cool, but it is very easy and I care more about that.
Okay, if you were given a massive Hollywood budget and unlimited choice of cast members, what kind of movie would you create? What would be the general story? You know, without giving it all away.
I have a romantic comedy that I am writing now about a punk rock music-writer girl and a cheesey boy-band guy, so I'd take your money and quit my health-insurance-providing dayjob and finish that. Or...hmm...MASSIVE budget you say?... Freddy Vs. Dinosaur.
Dinosaur would TOTALLY win. Um, any SUPER embarrassing stories about a performance you’ve given?
I don't have any good ones, but Glennis burst a blood vessel in her eye in the middle of one of our shows! That wasn't really embarrassing, but it was exciting in a terrifying way.
God…okay, quick fire round, miss. Biggest pet peeve?
Slow walkers.
Amen. Chosen super-power?
Sound wave manipulation - that can be a weapon, shield, OR flight.
Nerd. Favorite movie ever?
Dirty Dancing. Or Aliens.
I heard they were thinking of a cross-over…Unicorns vs. centaurs. Who wins?
What kind of battle? Poking - Unicorns. Wrestling or joke telling - Centaurs.
Excellent clarification. Funniest musical that's not meant to be funny?
Starlight Express. I LOVE Starlight Express.
Coolest comic book hero/heroine?
This is a rapid fire question?! Geez...um...Elektra? Kitty Pryde? NO! Dazzler! Dazzler is the best.
Aw, I totally remember her… Best NYC bar?
I like Little Branch a lot - also Crescent and Vine in Astoria, but that's more of a wine bar.
Fancy. In seven words at most, weirdest dream you’ve ever had?
Literally swimming with the devil.
Funniest joke ever? Or at least one you’ve heard recently?
Knock knock.
Who's there?
Panther
Panther who?
Panther no panth - I'm going thwimming!
Catch Eliza and Glennis performing another all new, all improvised show tonight at the Upright Citizens Brigade—307 W. 26th Street. Do it!
Monday, August 17, 2009
Music Monday
Keep an eye out for London rapper Speech Debelle, who provides us with this week's Song of the Week, "The Key". She gives us a fresh, young take on hip hop, superb lyrics, and a wonderful sound—employing undeniable hooks, woodwinds, double-bass, and a jazzy sound. Plus, rapping with a british accent is always cool, man. Debut album out on Big Dada.Wednesday, August 12, 2009
Buy This Record
We've been on a bit of a record kick lately. Like, actual records—those giant vinyl disks. The whole slow shift to non-tangible, electronic files of music that we never get to hold or open, that don't allow us to read along with the lyrics or marvel at the intricate cover art that's larger than 200px x 200px—that movement's gotten us down over the past years. Yes, it's wildly convenient to hold your entire record collection in your pocket, but it also robs SO much from the overall sensory experience of music too. I realize I'm not alone in this and that it's a wholly un-original thought, but that actually works to my advantage in this case as it seems many labels and artists and people behind creating music are catching on to this too. With labels like Sub Pop providing download codes for almost all of their vinyl releases and many other independent labels following suit, it's becoming easier and easier to have your cake and eat it too. You get the nice, weighty, substantive representation of the artist and his or her music along with the much more real experience of playing the record itself, with all it's warm crackles and depth of sound. You can't just hit play and start listening to what would eventually be a string of, say, 6,770 songs. You have to realize when one side of the record is done and go over and flip the record in order to enjoy the rest of it. It seems minor, but it goes a long way to putting you in the moment. And then, on top of the nice record, and big beautiful art, you've got the MP3s to put on your iPod or whathaveyou (I swear I've seen people with these other, non-iPod things). It's win-win, really. There was actually a great piece on vinyl on last week's Soundcheck on NPR, if you're interested.
Monday, August 10, 2009
Music Monday
Brooklyn has done it again—produced a superbly awesome band that I'm sure to lose my shit over. This time up to bat: The Antlers, led by the way-too-sad Peter Silberman and started as a straight-up singer-songwriter thing. Silberman's now got some backing and widespread distribution of his band's self-released LP, Hospice, via the always on-the-edge Frenchkiss Records. Check out the winningly tragic Two, this week's Song of the Week, and check them out next Friday at Mercury Lounge for their record release party.
Friday, August 7, 2009
As the Crow Flies
Katie and I had the good fortune to attend a screening of Paul Giamatti's new film, Cold Souls, at BAM last night. We had been hearing a lot about the movie lately and, honestly, weren't sure what to expect. We both have mixed feelings on the whole modern mainstream surrealist film genre—movies by Gondry, Charlie Kaufman, Spike Jones—and feel like it produces hit-or-miss results, for us at least. That said, we were totally delighted. The movie hit that oh so elusive mark of being everything at once to the viewer, dancing between cleverly funny and beautifully poignant while telling a wholly original story. Wednesday, August 5, 2009
From the Nest
Hotcha MommaSub-prime summer temps gotcha chillin' too much? Warm things up with habanero-infused tequila, an easy-to-make and always exciting spirit.
As noted on the recipe, feel free to tone this drink down a bit by mixing in non-peppery tequila. Also as noted, don't touch your eyes, yo.
Hot Dogs, Not Photos
Tuesday, August 4, 2009
Whistle While You Work
We've got a new piece over at The Discerning Brute on grilled Massaman curry and the band, Now Now Every Children, who rule. Take a look.
The Find
Alright, I'll admit, we're not regularly big news-breakers here at KoR. I trust that you get your world and local updates from far more reputable sources than us. That said, check this out: THE METS GOT VEGGIE DOGS! That's right, Citi (also Taxpayers') Field now boast Yves Spicy Veggie Hot Dogs at what looks to be two locations in the stadium. They also carry some sort of Yves Veggie Burger, but this is a ball game, people. Burgers? Monday, August 3, 2009
Music Monday
Wondering where all those NYC surf pop bands have gone? Really? Alright, well, we found one. The Drums make saccharin-sweet pop that sounds like the Cure have body-snatched the Beach Boys. Or something. Regardless of the random pigeonholing, these kids are good. And with neigh a proper release to speak of, they're generating quite a buzz with the few songs they've put out there and an admirable barrage of shows. Speaking of, they'll be playing this Friday's Mondo Indie Dance Party at Don Hill's, our favorite local dance night. Catch 'em if you can!






